We are ecstatic about kicking off a month of announcements with the news that the Indie Fund is now backing Willy Chyr’s Relativity. Relativity is a first-person puzzle game set in a world of impossible architecture, where space wraps around itself as the player manipulates gravity in order to progress. Many have described the game as “Escher-esque” on account of its clean visual design and curious exploration style, which involves shifting your plane of reference to see every room in a new light—and, of course, there do seem to be a lot of staircases.
A visual artist by trade, the Chicago-based Chyr is the sole designer of Relativity. His experience in installation art gives Willy a unique sense of level design, and using a game engine allows him to mold not just structures, but the very fabric of his own reality. Indie Fund co-president Aaron Isaksen recalls the first time he demoed the game: “Afterward, I wandered around the conference hall thinking about which pillars I’d be able to walk across if gravity were to change—it took a surprisingly long time for the effect to wear off. This is a beautiful game that really stuck with me, every detail tuned and adjusted until it’s just right.”
Relativity is Chyr’s first full-length videogame project. Following a six-month residency to work on the game in Shanghai’s Swatch Art Peace Hotel, Willy returned to the U.S. and began showing his progress to others. The game has already been honored as an official selection at Gamercamp, Bit Bash Festival, and the Media Indie Exchange at SIGGRAPH in 2014. Willy is generous with his advice for other fledgling game developers, and his ongoing devlog for Relativity contains a treasure trove of insights into concepting and polishing 3D games with Unity.
Please join us in congratulating Willy on his work so far. We are really excited to support him as he moves into the next phase of development and brings fellow-Chicagoan David Laskey on to help with the project. The game should be finished by the spring of 2016, with releases planned for the PS4, PC, Mac, and Linux. Until then, follow Willy on Twitter and visit the Relativity website for updates and even more ridiculously beautiful screenshots.
This year’s Gamercamp is close on the horizon, with a huge selection of games making their Canadian premiere. We are proud to announce that one of its official selections, Zeke Virant’s Soft Body, is now being supported by Indie Fund. Soft Body is a twin-stick shooter that asks players to split their brains and thumbs, navigating two unique “bodies” through a beautiful, minimalist shoot-em-up space at the same time. Zeke calls it a “bullet heaven,” because the emphasis isn’t on memorizing bullet patterns so much as reacting to them creatively as the arena shifts and changes.
A long-time musician, Virant wanted to create a game analogy for singing and playing an instrument at the same time. Indie Fund partner Ron Carmel explains how this feels to the player: “Human consciousness has, for obvious reasons, evolved around the idea of being in one place and experiencing the world as a single entity. Putting some time into Soft Body led me to feeling more and more like I could split my consciousness for brief periods of time. The minute-to-minute experience was definitely about clearing the levels, but the second-to-second experience for me was all about maintaining a sense of split consciousness for as long as I could.”
Soft Body will be Zeke’s first major release, but it has already garnered praise for its evolving bullet patterns, the dynamic soundtrack, and its unique way of dividing your input while focusing your attention on a singular task. In his earliest prototypes, Zeke drilled deep on one aspect of his design that he could polish from the start: the game’s feel, how the twin bodies move through virtual space and respond to the player’s control. This attention to detail has paid off, and recently Soft Body took home an award at the Zurich Games Festival.
We want to congratulate Zeke as he enters the world of full-time indie development with Soft Body. The game will be available in the summer of 2015 for the PS4 and Vita, with a PC release following soon after. If you’re in Toronto, you should definitely make the trip out to play Soft Body at Gamercamp. Otherwise, be sure to follow Zeke on Twitter and check out the Soft Body website for ongoing updates on the project.
We’re proud to announce Robin Arnott’s audio-visual exploration game SoundSelf as our newest addition to the Indie Fund family. Robin’s game abandons design convention by imposing no goals on the players. Instead, it uses hypnosis techniques to entrance the player while they explore an abstract musical environment generated by their voice.
SoundSelf ran a successful KickStarter in 2013, but the project has grown in scope. Robin will use these new funds primarily to hire visual programmer Cale Bradbury for work on the Gear VR version of SoundSelf. “This is especially important to me because I see Gear VR as an opportunity to make an early statement about the potential of virtual reality while the conversation is still fresh,” Robin told us, and he expanded upon this in more detail on his blog.
Despite being showcased across a myriad of events including IGF, IndieCade, Gamercamp, and GameCity, our own Ron Carmel remained skeptical until he tried it himself. “One of the things we get excited about most in the games we fund is when they break new design ground. I was very skeptical of SoundSelf before I tried it, thinking it will be just another high concept sound visualizer that won’t deliver on the claims. I could not have been more wrong. Within 10 minutes of plugging in I had experienced something I had never before experienced. My best (but inadequate) description of the experience is ‘amplified meditation’. For me, there is nothing more ground-breaking in interaction design than opening the door for a person to have a completely new experience. Thank you, for that, Robin!”
An alpha version is available for purchase now via on the SoundSelf website for Windows and Mac users (Linux support forthcoming), along with a pre-order option. We want to congratulate Robin and wish him the best as he finishes his transformational project!
As this year’s excellent Fantastic Arcade comes to a close, we are happy to announce that Jason Roberts’s Gorogoa is now being supported by Indie Fund. Although the game initially appears to be a simple point-and-click adventure with sliding tile elements, players tumble down the rabbit hole when they realize that pieces of the scene can be pulled from one picture to another. Each delicately-illustrated panel operates under its own unique logic, and players must gently tease out their curious inter-relationships in order to progress.
Gorogoa is Jason’s first major release, yet it has already won awards in Visual Art from IndieCade and the Independent Games Festival. Indie Fund partner Aaron Isaksen explains its success so far: “Gorogoa is just jaw-droppingly beautiful, and this is especially remarkable because it’s one person doing the programming, design, and artwork. If this was a children’s book it would win the Caldecott Medal. The gameplay is also quite intriguing; the connections that you make between locations, objects, and visuals is deliciously non-linear in a way we don’t experience in the real world.”
We would like to congratulate Jason for the long, hard work he has put into Gorogoa so far. The game will be available for Windows and Mac in early 2015, with a mobile release to follow. Check out the Gorogoa Twitter feed and website for news on its development over the coming months.